Yea, wabbits. But really, I'd imagine that each character in his operas would have their own motif that is played whenever they are on stage or being references. All you need to do is find a character that exists in the majority of the 18 hour Ring Cycle, and you're set. Their motif will be played millions of times.
Want an easy cop out? Just grab the theme of the wabbit herself, Brunhilda (or whatever). She must have one. Just search the web for it or something and you'll find it.
Wow, you dig classical and jazz. What else? Is there anyone else out there that is heavy into as much different music as I am?
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FireFox31
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